| Issue Date | Title | Author(s) |
| 1 | 2022 | Against Home: Neanderthal Ontology, Movement, and Locative Thinking | Banker, Bryan |
| 2 | 2021 | Apocalypse In-Yer Mark Ravenhill’s Faust Is Dead | Bal, Mustafa |
| 3 | 2022 | Both Directions at Once : John Coltrane, the Sonic Philosopher of Oppositions | Banker, Bryan |
| 4 | 2023 | Charles Dickens’ın Büyük Umutlar ve Neil Gaiman’ın Coraline Başlıklı Eserlerinde Ana Tanrıça Korkusunun Yansımaları | Kangüleç Coşkun, Kübra |
| 5 | 2013 | CV | Bal, Mustafa |
| 6 | 2019 | Duplicitous Detection in Peter Ackroyd’s Dan Leno and the Limehouse Golem | Bal, Reyyan |
| 7 | 2021 | Edebiyatın Ucubeleri | Doğan, Pelin; Çakay Nebioğlu, Rahime; Kangüleç Coşkun, Kübra |
| 8 | 2020 | Elements of Brecht’s Epic Theatre in Caryl Churchill’s Mad Forest and Sarah Kane’s Cleansed | Bal, Mustafa |
| 9 | Dec-2012 | English Language and Literature in the Post-War Bosnia and Herzegovina: Challenges and Experiences of a Transcultural Academic Adaptation | Bal, Mustafa |
| 50 | 2015 | Home Rhapsodies: Caryl Phillips and Cartography of Transgressivity | Öner, İ. Murat; Bal, Mustafa |
| 51 | 2021 | İrlanda Cumhuriyetçiliğinin Bir Ucube Olarak Portresi | Kangüleç Coşkun, Kübra |
| 52 | 2019 | Johnson’s Artistic Resistance To British Brutality: “inglan Is a Bitch” and “sonny’s Lettah” | Kangüleç Coşkun, Kübra |
| 53 | 2023 | Le Fanu’s “carmilla”: the Magical Female Body Beyond the Colonial English Rationalism | Kangüleç Coşkun, Kübra |
| 54 | 2022 | Mackintosh'un Mavi Bilet Romani: Ataerkil Söylemde Hapsolmuş “vahşi” Kadinlar | Coşkun, Kübra Kangüleç |
| 55 | 2023 | Mcdonagh’ın Ölüm Perileri ve Bir Erkeklik Eleştirisi Olarak İrlanda İç Savaşı | Kangüleç Coşkun, Kübra |
| 56 | 2021 | Memory Plays: Harold Pinter’s Old Times and Anthony Neilson’s Penetrator | Bal, Mustafa |
| 57 | 2021 | Nature Vs. “reality” in Fantasy Fiction: the Potential for Ecocritical Imaginings | Bal, Reyyan |
| 58 | 2022 | Peter Shaffer's Equus and Equine-Assisted Psychotherapy (EAP) | Bal, Mustafa |
| 59 | 2021 | Psychology of Belonging and Traumatised Soldiers in In-Yer Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted | Bal, Mustafa ; Fırtına, Çağan |
| 60 | 2016 | Sarah Kane ve Postdramatik Tiyatro | Bal, Mustafa |
