Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.11851/2587
Title: Türk Makam Müziği Derleminin Dizayn Prensipleri Ve Kodlama Süreci
Other Titles: Design Principles And Annotation Process In The Turkish Makam Music Corpus
Authors: Atalay, Nart Bedin
Yöre, Seyit
102366
Issue Date: Apr-2019
Publisher: Istanbul Technical University Press
İstanbul Teknik Üniversitesi Yayınevi
Abstract: Symbolic corpora are invaluable tool in computational music research. We built a symbolic corpus of Turkish makam music consisted of 600 pieces in 2011. Our aim was to collect a database of makam pieces in a simple format suitable for statistical analyses. There are 30 pieces in each of the twenty frequently used maqams (Acem Kürdi, Bayati, Evc, Hicaz, Hicazkar, Hisar Buselik, Hüseyni, Hüzzam, Isfahan, Karcığar, Kürdili Hicazkar, Mahur, Muhayyer, Nihavend, Nişaburek, Rast, Saba, Segah, Şehnaz, Uşşak). The pieces are selected from the six basic musical forms of the fasıl (the concert) structure (i.e. peşrev, beste, ağır semai, yürük semai, şarkı ve saz semai). Every note in a piece is manually annotated with a symbolic form representing its traditional pitch name, duration, and darb. The meta description includes the name of the piece, its composer, era, maqam, usul, form and the number of total measures. The symbolic Turkish maqam music corpus is freely available as Excel or Matlab files (https://osf.io/gkz9q/).
URI: https://hdl.handle.net/20.500.11851/2587
http://www.tmdk.itu.edu.tr/docs/librariesprovider5/kitap-i-%C3%A7erik/muzikvebilimler2019.pdf
ISBN: 9789755615042
Appears in Collections:Psikoloji Bölümü / Department of Psychology

Show full item record

CORE Recommender

Page view(s)

28
checked on Dec 26, 2022

Google ScholarTM

Check

Altmetric


Items in GCRIS Repository are protected by copyright, with all rights reserved, unless otherwise indicated.