Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.11851/8306
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dc.contributor.authorÖngür, Hakan Övünç-
dc.contributor.authorDeveli, Tevfik Orkun-
dc.date.accessioned2022-01-15T13:02:28Z-
dc.date.available2022-01-15T13:02:28Z-
dc.date.issued2021-
dc.identifier.issn0143-6597-
dc.identifier.issn1360-2241-
dc.identifier.urihttps://doi.org/10.1080/01436597.2021.1994385-
dc.identifier.urihttps://hdl.handle.net/20.500.11851/8306-
dc.description.abstractIn presenting the historical development of rock music in Turkey from the early 1960s to the present within a socio-political framework, this study provides (1) a rereading of Turkish politico-economic changes and (2) a correlative cultural critique of rock musicianship and songwriting in the neoliberal age. Two related hypotheses are tested through a content analysis of 67 rock acts, 426 releases and 3452 songs from 1963 to 2019. First, it is argued that as Turkey moved from import substitution industrialisation between 1960 and 1980 to 1980s neoliberalism, the content of rock music lyrics changed from being overtly socio-political to having no relation to such matters or to adopting implicit and indirect language in mentioning them. Second, it is proposed that this lyrical unresponsiveness to social matters grew so powerfully as part of the neoliberal economic rationale that it put individuation, self-realisation and market demands ahead of other forms of social relations. So, today's rock artists are unequipped to respond through their lyrics to grand events, such as the Gezi Park protests of 2013, the failed coup attempt of 2016, or a two-year state of emergency, terrorism and femicide, in contrast to the rock music of the 1960s and 1970s.en_US
dc.language.isoenen_US
dc.publisherRoutledge Journals, Taylor & Francis Ltden_US
dc.relation.ispartofThird World Quarterlyen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectrock musicen_US
dc.subjectTurkish politicsen_US
dc.subjectcultural productionen_US
dc.subjecthistoryen_US
dc.subjectoppositionen_US
dc.subjectneoliberalismen_US
dc.subjectPopulismen_US
dc.subjectPoliticsen_US
dc.titleRereading Turkey's recent history through the lens of rock music: how rock has lost its socio-political edge in neoliberal timesen_US
dc.typeArticleen_US
dc.departmentFaculties, Faculty of Economics and Administrative Sciences, Department of Political Science and International Relationsen_US
dc.departmentFakülteler, İktisadi ve İdari Bilimler Fakültesi, Siyaset Bilimi ve Uluslararası İlişkiler Bölümütr_TR
dc.identifier.wosWOS:000714864300001en_US
dc.identifier.scopus2-s2.0-85118615010en_US
dc.institutionauthorOngur, Hakan Övünç-
dc.identifier.doi10.1080/01436597.2021.1994385-
dc.authorscopusid55597431600-
dc.authorscopusid57326400500-
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.scopusqualityQ1-
item.fulltextNo Fulltext-
item.grantfulltextnone-
item.openairetypeArticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.languageiso639-1en-
item.cerifentitytypePublications-
Appears in Collections:Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
Siyaset Bilimi ve Uluslararası İlişkiler Bölümü / Department of Political Science and International Relations
WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection
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