Results 1-13 of 13 (Search time: 0.006 seconds).
| Issue Date | Title | Author(s) |
| 1 | 2021 | Apocalypse In-Yer-Face: Mark Ravenhill’s Faust Is Dead | Bal, Mustafa |
| 2 | 2020 | Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin's Creed: Origins | Banker, Bryan |
| 3 | 2022 | Both Directions at Once : John Coltrane, the sonic philosopher of oppositions | Banker, Bryan |
| 4 | 2013 | CV Mustafa | Bal, Mustafa |
| 5 | 2019 | Duplicitous Detection In Peter Ackroyd’s Dan Leno And The Limehouse Golem | Bal, Reyyan |
| 6 | 2020 | Elements of Brecht’s epic theatre in Caryl Churchill’s Mad Forest and Sarah Kane’s Cleansed | Bal, Mustafa |
| 7 | Dec-2012 | English language and literature in the post-war Bosnia and Herzegovina: Challenges and experiences of a transcultural academic adaptation | Bal, Mustafa |
| 8 | 2015 | Home Rhapsodies: Caryl Phillips and Cartography of Transgressivity | Öner, İ. Murat; Bal, Mustafa |
| 9 | 2019 | Johnson’s Artistic Resistance to British Brutality: “Inglan Is a Bitch” and “Sonny’s Lettah” | Kangüleç Coşkun, Kübra |
| 10 | 2021 | MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR | Bal, Mustafa |
| 11 | 2021 | Nature vs. “Reality” in Fantasy Fiction: The Potential for Ecocritical Imaginings | Bal, Reyyan |
| 12 | 2022 | Peter Shaffer's Equus and Equine-assisted Psychotherapy (EAP) | Bal, Mustafa |
| 13 | 2021 | Psychology of Belonging and Traumatised Soldiers in In-Yer-Face Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted | Bal, Mustafa ; Fırtına, Çağan |
