| Issue Date | Title | Author(s) |
| 2022 | Against Home: Neanderthal Ontology, Movement, and Locative Thinking | Banker, Bryan |
| 2023 | Charles Dickens’ın Büyük Umutlar ve Neil Gaiman’ın Coraline Başlıklı Eserlerinde Ana Tanrıça Korkusunun Yansımaları | Kangüleç Coşkun, Kübra |
| 2021 | İrlanda Cumhuriyetçiliğinin Bir Ucube Olarak Portresi | Kangüleç Coşkun, Kübra |
| 2021 | Edebiyatın ucubeleri | Doğan, Pelin; Çakay Nebioğlu, Rahime; Kangüleç Coşkun, Kübra |
| 2023 | Le Fanu’s “Carmilla”: The Magical Female Body beyond the Colonial English Rationalism | Kangüleç Coşkun, Kübra |
| 2020 | Elements of Brecht’s epic theatre in Caryl Churchill’s Mad Forest and Sarah Kane’s Cleansed | Bal, Mustafa |
| 2021 | Nature vs. “Reality” in Fantasy Fiction: The Potential for Ecocritical Imaginings | Bal, Reyyan |
| 2021 | Apocalypse In-Yer-Face: Mark Ravenhill’s Faust Is Dead | Bal, Mustafa |
| 2016 | Caryl Churchill lament for the university of misogyny : A Study based on the herstory of the "Witches" in Vinegar Tom, Cloud Nine, Owners and Top Girls | Dinçel, Melahat Sibel |
| 2021 | MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR | Bal, Mustafa |
| 2021 | Psychology of Belonging and Traumatised Soldiers in In-Yer-Face Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted | Bal, Mustafa ; Fırtına, Çağan |
| 2015 | Home Rhapsodies: Caryl Phillips and Cartography of Transgressivity | Öner, İ. Murat; Bal, Mustafa |
| 2017 | CONFLICT UNRESOLVED: MEN'S RESPONSES TO SECOND WAVE FEMINISM IN WENDY WASSERSTEIN'S ISN'T IT ROMANTIC (1983) AND THE HEIDI CHRONICLES (1988) | Başer, Duygu Beste |
| 2017 | A Letter from I.B. Gentleman: Sir Thomas Smith’s Ulster scheme and its Scottish context | McMillan, C. |
| 2017 | Kazuo Ishiguro'nun Çocukluğumu Ararken adlı Romanına Yeni Tarihselci Bir Yaklaşım | Serdaroğlu, Duygu |
| 2019 | Homage Payed to the King: Marlowe and Shakespere’s ‘Collaboration’ in Defense of Daemonologie | Dinçel, Melahat Sibel |
| 2019 | The Beginnings Of Shakespearean Influences On Ottoman-Turkish Drama: Namık Kemal's Akif Bey (1874) And Gülnihal (1875) | Dinçel, Melahat Sibel |
| 2016 | Sarah Kane ve Postdramatik Tiyatro | Bal, Mustafa |
| 2017 | Waterland: (Re)Textualizing Histories And Historicizing The Past | Serdaroğlu, Duygu |
| 2017 | A New Historicist Approach to Kazuo Ishiguro’s When We Were Orphans | Serdaroğlu, Duygu |
